The scene opens with messages that Cyprus is about to be attacked by the Turks of
the Ottoman Empire. In the midst of this excitement comes Brabantio to appeal to the
Duke for justice at Othello's elopement with Desdemona. He accuses the Moor of
seducing his daughter through magical spells and drugs.
Othello, in his defence, denies any use of magic but explains to the assembled
dignitaries that Brabantio had often invited him to his house where he questioned him
in great eagerness for the stories of his life. These stories encompassed all the vivid
imaginings of the Elizabethan era, tales of slavery and cannibalism, descriptions of men
whose heads were situated below their shoulders. Desdemona listened to these weird
and wonderful stories, and imagined herself involved in them. She even hinted to
Othello that she would like to marry such a man as he, a hint that Othello acted upon.
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When Desdemona is brought to testify, she professes her loyalty to her father but also
her undying love for Othello, whom she refers to as her husband. Brabantio accepts
this evidence but his attitude remains niggardly and bitter. Indeed, when it is soon
learnt that Othello must immediately depart for Cyprus to command the defence of the
island, Brabantio refuses to allow his daughter to return to his house. Instead,
Desdemona is granted permission to accompany her husband to the defence of
Cyprus.
Othello is to leave for Cyprus that very night but he leaves Desdemona in the care of
Iago, who will follow the next day. In the meantime, Roderigo becomes suicidal at the
realisation that he has lost Desdemona forever. He is persuaded to follow Othello to
Cyprus where Iago promises to hatch a plan to get Desdemona back - for which he will
expect handsome payment in return ("put money in your purse").
We eventually learn that Iago plans to persuade Othello that his wife is being unfaithful
to him by sleeping with Michael Cassio, the Moor's faithful lieutenant. In this way, Iago
believes he will get even with both Othello and Michael Cassio, using Desdemona as
the innocent pawn in his evil game.