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John Donne's

The Good-Morrow

Worksheet 2:
More challenging questions

Dr Keith Tankard
Knowledge4Africa.com
9 February 2006



Picture of the poet
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NOTES


DONNE'S LOVE POEMS:

It would appear that Donne was a great womaniser and so, apart from his sermons, he also became renowned for his many love poems. These, however, were of mixed content and it is very difficult to conclude what the poet actually felt about love.

Sometimes he spoke of love as though it were a religious experience, the uniting of two souls through the uniting of two bodies. At other times, he appears caught up almost purely in the sexual side of it. Sometimes his views in one poem would seem to be contradicted by those expressed in another.



PLATO AND HIS THEORY OF IDEAS:

John Donne, having attended both Oxford and Cambridge Universities, would have been well versed in the Greek philosopher, Plato, and his Theory of Ideas. Indeed, it does seem that the poet shows influences of Plato within this poem.

Plato postulated that we are like beings who are confined to a cave. The world we see, therefore, is not the real world but rather a world of shadows and reflections. The real world is behind us but we are unable to turn around and view it. The sun is God (or Truth or Goodness) but, because we cannot ever see the sun, we can only philosophise on its nature.

The shadows are but reflections of the real world. Since we cannot see this real world, we can only reflect upon it and thereby come to rational assumptions about that world.

In the poem, Donne hints at this cave world of Plato on two occasions. The first is the reference to the "Seven Sleepers' den" - a legend of seven Christian youths who were locked away in a cave by the Roman Emperor for refusing to denounce their faith. They would stay in that cave for almost 200 years before being released. In the same way, the two lovers have only lived in a world of shadow-love and have never experienced the real thing until now.

The second hint is the poet's reflection upon his Lady-Love as being the ideal of Beauty. Just as in the cave, we see only shadows, so in real life we see only reflections of Beauty (the sun). The poet's Lady-Love, however, is the real thing, the goddess to whom all other beauty is compared.


READ FURTHER NOTES?


1. What does the poet mean when he speaks of, "But suck'd we on country pleasures, childishly"?



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2. The "Seven Sleepers' den" refers to a legend of seven Christian youths who were locked away in a cave by the Roman Emperor for refusing to denounce their faith. They would stay in that cave for almost 200 years before being released.
  • Explain, however, the significance of using the word "snorted" in this regard.


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3. What does the poet mean when he says, "All pleasures fancies be"?



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4. "If ever any beauty I did see, Which I desired, and got, 'twas but a dream of thee."
  • What point is the poet making with these words?


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5. "For love all love of other sights controls, And makes one little room an everywhere."
  • Is this a true reflection of love?
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6. What is meant by the line "whatever dies, was not mix'd equally." Do you think this is a fair reflection of love?



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7. Are the poet's sentiments serious - or is he being somewhat tongue-in-cheek?

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